I’ve come back to slash again, and so, of course, I need to write about it. Perhaps this is just a cheap attempt to stay away from my @#$@#$ thesis–most certainly–but, as a reader, I’ve found that I get something from writing about some of the stories that I’ve read.
As usual, a warning: the links below will lead you to K/S writings. What is seen cannot be unseen; although, as Spock would say, there are always possibilities, that doesn’t mean that you have to look at all of them.
Here are two of the best:
“Tired” by JackHawksmoor
Here’s why I love this story: I didn’t understand it the first time I read it. It’s sleek and fast moving and demands that you read every damn word, and I got lazy. A lot of the story’s action occurs offstage–there are pretty strong inferences in the text, but the story requires a close reading to follow it through.
As the action begins, Kirk, Spock, and McCoy are involved in tricky negotiations with many unpleasant people, and no one is happy about it. Kirk, in particular, begins to act strangely. When Spock inconveniently picks up on his captain’s apparent distress, Kirk has to resort to semi-desperate measures to keep the trains running on time.
To me, this story proved once and for all that good slash = good writing. It’s easy to write an impersonal sex scene; it’s much harder to build a complex and interesting story in which the sex is a key part of the plot. “Tired” is proof that fan fiction in general and slash in particular is a legitimate genre.
“Full Circle” by Killa
I love this story. It’s the polar opposite of “Tired”–it’s lush, it takes its damn time, and it’s worth every minute. “Full Circle” picks up where the story “Turning Point” (*sniff*) left off. [Check out my review of “Turning Point” here.] K/S must live with the consequences of their choices (and their dumb-assery) in the previous story: Spock goes off to Gol to kill part of himself, and Kirk gets married, like you do when you’ve just had your heart broken.
One night, his panic attacks–which have been haunting him since he and Spock parted–take on a different turn, and he dreams of Spock in a way that he can’t hide (damn human plumbing!) and that his wife, Lori, can’t ignore. Soon, V’gr gets the band back together, and Kirk and Spock must figure out how to reconnect. To be honest, a big part of this story’s appeal for me is that it helps salve the wounds inflicted in “Turning Point.” It’s nice to see our boys get a happy ending–at least for now.
My favorite scene in this story has nothing to do with sex–instead, it’s an extended conversation between McCoy and Kirk in which James tries to articulate what’s happened between he and Spock. After V’gr is–defeated? sent to another plane of existence? whatever.–Kirk hides in the observation lounge and broods over the “this simple feeling” moment in Sickbay. Leonard (gods bless him) tracks him down and finally gets James to tell him what the hell is going on between Kirk and Spock.
It’s a great scene because Killa nails the Bones/James relationship, one that’s central to ST but one that we don’t see often enough. In this moment, it’s easy to understand why Kirk needs McCoy (The “I need you, Bones! Badly!” line from STMP not withstanding. Hee!), and what Bones gets from his friendship with both Jim and Spock. Looking back on it, it’s a hint of what Killa’s able to do in her angsty, emotional, but not-really-slashy novella Bitter Glass.
Both of these stories pay off, not only in terms of sex (though that’s there, too), but in terms of plot, structure, and character. It’s been hard for me to find stories that strike this balance just right, which makes these stories all the more laudable and impressive.